Raising the Curtain on Dream Theater's "Metropolis, Pt. 2: Scenes From a Memory": Prog Review #29
Histrionic, emotional, deeply serious, optimistically spiritual, Metropolis Pt. 2 is so much of what I'm not, and therefore so much of what I love in the music I listen to.
An Exhausting Stroll Through Opeth's "Blackwater Park": Prog Review #28
After a few days with Blackwater Park, I turned off the album while driving, and Metric's "Now or Never Now" was just starting. I immediately wanted to move and sing, and I felt joy from the music I was listening to. That feeling cemented my thinking that I should just give up on Opeth.
In a Different Reality, I Might Have Called This Great: Star Trek S1E14, “Balance of Terror”
Just in case you thought the episode was running out of poignancy, there's more!
Reinvestigating Supertramp's "Crime of the Century": Prog Review #27
Progressive ideas may not be the point of Supertramp, but the band uses those available options to turn half-finished song ideas into amazing compositions…. It's damn near perfect.
A recipe for Van Der Graaf Generator's "Pawn Hearts": Prog Review #26
Van Der Graaf Generator's Pawn Hearts is a peculiar dish - at once overly familiar and an acquired taste. Full of familiar and tired prog ingredients thrown together in a stew, Pawn Hearts retains a distinct, if somewhat confused, character.
Bugging Out to The Mars Volta's "Deloused in the Comatorium": Prog Review #25
"Now I'm Lost" keens Marcel Rodríguez-López on the chorus of Inertiatic ESP. I share his sentiment
The Harmonic Tremors of Magma's "Mëkanïk Dëstruktïẁ Kömmandöh": Prog Review #24
There's a musical statement here: a garbled, manic, exuberant statement.
Podcast Review: Obscure with Michael Ian Black
Only faithful listeners to Obscure with Michael Ian Black can listen to a classic read aloud and hear it accompanied with uniquely thoughtful and entertaining commentary.
Tangential Musings on Tangerine Dream's "Phaedra": Prog Review #23
My wife says "it sounds like Blade Runner"
A Great Discovery in Rush's "2112": Prog Review #22
Though less impactful upon me than Foxtrot (1972), 2112 (1976) constitutes the prehistory of my love of prog.
Seeing Doubles in Camel's "Mirage": Prog Review #21
If I had discovered Camel in my teens or early 20s, they would probably be one of my favourite bands right now.
Munsch Ado About Nothing: “The Boy in the Drawer” as an Allegory for Tantrums
Munsch's stories very often grant children power and label adults as inconsistent, selfish, unreasonable, unhelpful, or incompetent. No wonder the books are so popular with kids.
King Crimson's "Larks' Tongue in Aspic" is an Acquired Taste: Prog Review #20
The album intrigues me for the same reason I don't love it: with the exception of "Exiles," all the songs promise more than they deliver.
A Smashing Video Game Crossover
Who could resist this pinnacle achievement of one of the leaders of video gaming?
A Friendly Encounter With PFM's "Per Un Amico": Prog Review #19
Per Un Amico has moments that would sound right at home on albums by Yes, Genesis, King Crimson, ELP, Gentle Giant, and probably a bunch of others. At times, the sounds are even suspiciously similar to specific tunes from those bands.
Getting Comfortable With Frank Zappa's "One Size Fits All": Prog Review #18
Zappa's actual music was a total blank to me, however, and after listening to One Size Fits All, I'd say my nearly baseless assessment of Zappa was 75% correct.
An Exorcism for Mike Oldfield's "Tubular Bells": Prog Review #17
Many people are perhaps familiar with the opening 4 minutes or so, a section best known as the theme from The Exorcist (1973)
Flailing About With Gentle Giant's "Octopus": Prog Review #16
If you want to justify someone's fear or distaste for the overly complex, intellectual, and alienating qualities of progressive music, look no further than Gentle Giant's Octopus; but if they can get some joy out of it, the battle is forever won.
Stop for King Crimson's "Red": Prog Review #15
The story goes that Kurt Cobain said without Red there would be no Nirvana. But I don’t hold that against this album.
Dancing in Time to Genesis's "Foxtrot": Prog Review #14
I don’t just love Foxtrot; I feel a special attachment to it. And, yet, it is still only my third-favourite Genesis album.